By Richard Dutton, Jean E. Howard
The four-volume Companion to Shakespeare's Works, compiled as a unmarried entity, bargains a uniquely finished image of present Shakespeare feedback. This quantity seems to be at Shakespeare’s tragedies.
- Contains unique essays on each Shakespearean tragedy from Titus Andronicus to Coriolanus.
- Includes 13 extra essays on such themes as Shakespeare's Roman tragedies, Shakespeare's tragedies on movie, Shakespeare's tragedies of affection, Hamlet in functionality, and tragic emotion in Shakespeare.
- Brings jointly new essays from a various, foreign crew of students.
- Complements David Scott Kastan's A spouse to Shakespeare (1999), which concerned with Shakespeare as an writer in his ancient context.
- Offers a provocative roadmap to Shakespeare reviews.
Chapter 1 “A rarity such a lot beloved”: Shakespeare and the assumption of Tragedy (pages 5–22): David Scott Kastan
Chapter 2 The Tragedies of Shakespeare's Contemporaries (pages 23–46): Martin Coyle
Chapter three Minds in corporation: Shakespearean Tragic feelings (pages 47–72): Katherine Rowe
Chapter five The Divided Tragic Hero (pages 73–94): Catherine Belsey
Chapter five Disjointed instances and Half?Remembered Truths in Shakespearean Tragedy (pages 95–108): Philippa Berry
Chapter 6 analyzing Shakespeare's Tragedies of affection: Romeo and Juliet, Othello, and Antony and Cleopatra in Early glossy England (pages 108–133): Sasha Roberts
Chapter 7 Hamlet Productions Starring Beale, Hawke, and Darling From the point of view of functionality historical past (pages 134–157): Bernice W. Kliman
Chapter eight textual content and Tragedy (pages 158–177): Graham Holderness
Chapter nine Shakespearean Tragedy and spiritual id (pages 178–198): Richard C. McCoy
Chapter 10 Shakespeare's Roman Tragedies (pages 199–218): Gordon Braden
Chapter eleven Tragedy and Geography (pages 219–240): Jerry Brotton
Chapter 12 vintage movie types of Shakespeare's Tragedies: A replicate for the days (pages 241–261): Kenneth S. Rothwell
Chapter thirteen modern movie types of the Tragedies (page 262): Mark Thornton Burnett
Chapter 14 Titus Andronicus: A Time for Race and Revenge (pages 284–302): Ian Smith
Chapter 15 “There isn't any global with no Verona walls”: the town in Romeo and Juliet (pages 303–318): Naomi Conn Liebler
Chapter sixteen “He that thou knowest thine”: Friendship and repair in Hamlet (pages 319–338): Michael Neil
Chapter 17 Julius Caesar (pages 339–356): Rebecca W. Bushnell
Chapter 18 Othello and the matter of Blackness (pages 357–374): Kim F. Hall
Chapter 19 King Lear (pages 375–392): Kiernan Ryan
Chapter 20 Macbeth, the current, and the earlier (pages 393–410): Kathleen McLuskie
Chapter 21 The Politics of Empathy in Antony and Cleopatra: A View from lower than (pages 411–429): Jyotsna G. Singh
Chapter 22 Timon of Athens: The Dialectic of Usury, Nihilism, and paintings (pages 430–451): Hugh Grady
Chapter 23 Coriolanus and the Politics of Theatrical excitement (pages 452–472): Cynthia Marshall
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Extra resources for A Companion to Shakespeare's Works, Volume 1: The Tragedies
Phillips, A. (2000). Promises, Promises: Essays on Psychoanalysis and Literature. London: Faber and Faber. Pleynet, M. (1968). Théorie d’ensemble. Paris: Seuil. Poole, A. (1987). Tragedy: Shakespeare and the Greek Example. Oxford: Blackwell. Reiss, T. (1980). Tragedy and Truth: Studies in the Development of a Renaissance and Neo-classical Discourse. New Haven, CT: Yale University Press. Robinson, F. N. ) (1957). The Works of Geoffrey Chaucer, 2nd edn. Boston, MA: Houghton Mifflin. Snyder, S. (1979).
11 The key image of Women Beware Women (1614) is a game of chess. Livia invites Leantio’s mother to come and play chess and then, later, sends for her daughter-in-law Bianca, recently married to her merchant’s agent son. Like all Jacobean plots, the play’s elaborations can seem excessive, but its terror comes out when, as the two women play chess, Bianca is raped by the Duke on the upper level of the stage. Women Beware Women might appear just another play of courtly corruption and sexual depravity, but that view becomes impossible to sustain in the face of Bianca’s words when she returns, her body defiled: The Tragedies of Shakespeare’s Contemporaries 39 Now bless me from a blasting!
1979). The Comic Matrix of Shakespeare’s Tragedies. Princeton, NJ: Princeton University Press. Waith, E. (1950). Manhood and Valour in Two Shakespearean Tragedies. English Literary History, 17, 262–73. Watson, R. (1994). The Rest is Silence: Death as Annihilation in the English Renaissance. Berkeley: University of California Press. Weinberg, B. (1961). A History of Literary Criticism in the Italian Renaissance, 2 vols. Chicago, IL: University of Chicago Press. Woudhuysen, H. R. ) (1989). Samuel Johnson on Shakespeare.